A new gallery: Boston Tourist Pics
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Posts in category Travel and Photography Samples
Gallery: Boston Tourist Pics
Gallery: Maine Speedliting Images
A new gallery: Maine Speedliting Images
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Digital Photography Motion In the Arena and On the Track
The Photoshop and photography Guru Scott Kelby once proclaimed something along the lines of “if you want to be a great sports photographer, the first thing you need is a really big wallet!” And, he’s right on the money.
One of the most challenging aspects of shooting action photography in an outdoor arena is the time right between sunset and when the arena lights kick it up to full power. Maybe you’ve had this happen before, you go to take your prize-winning photo, you line up the shot, press the shutter release, and click. You check out your amazing photo on the display on the back of the camera and, “What in the world?” Or something similar… Nothing but blur! Might as well put your camera up for the rest of the event, right? Wrong.
Now, you’ve found the perfect time for panning. Not for gold, but for that perfect action shot. Here’s the concept… The photographer is at a fixed point where he/she/it can take a picture with the subject, car/horse/ whatever is passing at pretty much the same distance from the photographer. You have you magic focus ring manually adjusted for the approximate area you want to shoot, and the subject passes, as you press the shutter, you turn and keep the subject in the approximately same location in the frame as your shutter slowly opens and closes. What this does, with enough practice, is allows you, the photographer, to keep the subject in focus while blurring the background scenery adding for some interesting motion effect. So, how does it look?
Well, let’s look at what kind of picture led you to try this effect in the first place…
Now, here’s how it comes out with a little panning practice…
Remember, just because you don’t have the most expensive equipment, or the best equipment in the world, doesn’t mean you can’t have interesting photos.
A final word of caution, this technique takes some serious practice to develop, and I’ve still got a long way to go, so don’t get frustrated, and remember, they’re digital shots, so you can afford to experiment.
Good luck.
Digital Photography ND Filter Followup
Just two quick examples and I’ve got to get out the door.
You remember how we’ve been talking about how Graduated ND Filters can darken one part of the image, (usually the top) while basically leaving another part, (the bottom) alone, right?
Well, here’s how that plays out in-camera. Both pictures were taken with the same shutter speed, 1/30th of a second, and with the same aperature value (f16) only seconds apart.
Just another dramtic change you can make in camera. And if you’re thinking, “Man, I’ve got to buy a lot of filters for my camera.” There are really only two that Photoshop can’t duplicate the effects of very well, the ND filter and the Polarizing filter.
With these two filters in your bag, you should be ready for almost anything that gets thrown at you.
P.S. Kevin brought up a great point on how to secure an ND filter to the front of your lens. So, before anybody breaks out the bottle of superglue, here is how that works.
The ND Grad Filter Adapter is a rectangular piece of plastic that screws on the front of your lens , or other filter just like any other filter. It has slots on the front of the plastic that will allow you to slide the glass/plastic ND grad filter in place and the tension will hold it in place until you remove the filter, and then remove the adapter. The one thing you want to watch is allowing your autofocus to spin the lens after you’ve placed the filter into position, I like to acheive my correct focus first, and then place the ND Grad Filter. Here is what the adapter looks like and how the filter slides into place.
Dewayne







